Dominique ingres odalisque. Odalisque in Grisaille Jean Auguste Dominique Ingres ca.

Dominique ingres odalisque. Art History, 5th ed. Ingres’s painting also reinforces European stereotypes of the “East” as a region where sexuality, slavery, opulent wealth, and exquisite beauty were equated with the fabled power of the region’s rulers. Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. Nov 14, 2023 · Jean-Auguste-Dominique Ingres was asked by Napoleon Bonaparte’s sister, Caroline, to produce the Neoclassicism masterpiece, the La Grande Odalisque painting, in 1814. JPG File:La Grande Odalisque - Jean-Auguste-Dominique Ingres - Musée du Louvre Peintures RF 1158. 1824–34 The Metropolitan Museum of Art New York City, United States Download this artwork (provided by The Metropolitan Museum of Art). Cothren. Odalisque 1825, published 1826 Jean-Auguste-Dominique Ingres Artist, French, 1780 - 1867 François Seraphin Delpech Printer, French, 1778 - 1825 Jean-Auguste-Dominique Ingres Identification and Creation Object Number 1943. 5 x 23. Apr 4, 2025 · Toutes les informations de la Bibliotheque Nationale de France sur : La grande odalisque - Jean-Auguste-Dominique Ingres (1780-1867) Jean-Auguste-Dominique Ingres was a French Neoclassical painter. From the alluring curves of La Grande Odalisque to the tranquil scene of The Turkish Bath, each Buy a digital copy of "Large odalisque". 251 People Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris) Title Odalisque, Enslaved Woman, and Eunuch Other Titles Former Title: Odalisque, Slave, and Eunuch Former Title: Odalisque with a Slave Classification Paintings Work Type painting Date 1839-1840 Culture French Persistent Link https://hvrd. Winthrop Artist: Jean-Auguste-Dominique Ingres Type: Paintings External Link: Mar 25, 2015 · Odalisque in Grisaille, ca. Although he thought of himself as a history painter in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it were his portraits that were recognized as his greatest legacy. In western European usage, the term came to mean the harem concubine, and refers to the eroticized artistic genre in which a woman is Femme nue, visage de 3/4 entouré d'un turban noué sur la nuque, à demi allongée sur un lit bleu, le coude gauche sur des coussins bleus, le corps sur des draps en désordre blanc et brun, la main droite tenant un éventail en plumes de paon, posée sur la jambe gauche repliée, à droite un rideau bleu touchant la jambe et le lit. Ingres and the Studio: Women, Painting, History. Title: Odalisque Artist: After Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) Date: n. D. Ingres executed this lithograph to reproduce and publicize an important picture that he had previously painted. A Talented Start Born in Montauban, France, in Abstract The Odalisque en Grisaille raises questions about its attribution to Ingres and moreover about the reasons why it was painted. Presents the woman through the artist's feminist views. 2) Eugène Delacroix's 1845-1850 painting "Odalisque" focuses more on narrative, showing a concubine looking directly at the viewer while splayed naked on a bed. 1824–34 Physical Dimensions: 32 3/4 x 43 in. Jean-Auguste-Dominique Ingres Biography Jean-August-Dominique Ingres is a French neo-classical painter, and one of the major portrait painters of the 19th century. “La Grand Odalisque” showcases a reclining nude female Description Adapted from the renowned French neoclassical painting La Grande Odalisque by Jean-Auguste-Dominique Ingres (1780–1867), this photograph belongs to a series that reflects the complex female identities in the Muslim world. (83. Download scientific diagram | Jean Auguste Dominique Ingres, "Odalisque with Slave," 1839. Odalisque in Grisaille Jean Auguste Dominique Ingres ca. Critics condemned one of his first public works, the awe-inspiring portrait Napoleon on His Imperial Throne (1806), as Jean-Auguste-Dominique Ingres. Ingres actually returned to Neoclassicism after having first rejected the lessons of his teacher David. 5 centimeters. When was the painting Grand Odalisque (detail) painted? The painting Grand Odalisque (detail) by Jean Auguste Dominique Ingres was painted in the year 1814. Watermark: none. Oil on canvas, 72. 5 by 47. ” In this painting, Ingres painted a large odalisque (a concubine in a harem) standing alongside a slave. org/artwork/la-grande-odalisque/. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift Study with Quizlet and memorize flashcards containing terms like Although Jean-Auguste- Dominique Ingres's La Grande Odalisque contains many Neoclassical elements, it also breaks classical conventions by, In Olympia, Manet challenges the standards of academic art through his use of, In The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm), Thomas Cole contrasts Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Odalisque with Slave by Jean-Auguste Dominique Ingres is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. 3 cm. La Grande Odalisque est un tableau de Jean-Auguste-Dominique Ingres peint en 1814 sur une commande de Caroline Murat, sœur de Napoléon I er et reine consort de Naples (commande non payée pour cause de chute de l' Empire) 1. French painter, born at Montauban, the son of a minor painter and sculptor, Jean-Marie-Joseph Ingres (1755-1814). Sep 6, 2022 · 1. Oct 3, 2024 · Grande Odalisque: A Masterpiece of Exotic Romanticism and Neoclassicism Jean-Auguste-Dominique Ingres’ Grande Odalisque stands as a pivotal work in the evolution of 19th-century art, marking a significant transition from the strict forms of Neoclassicism to the more evocative and sensual style of Romanticism. Jean-Auguste-Dominique Ingres, La Grande Odalisque, 1814, oil on canvas, 36″ × 63″ (91 × 162 cm), (Musée du Louvre, Paris). ©Photo Jan 5, 2017 · File:Jean-auguste-dominique ingres, la grande odalisca, 1814, 05 pipa e incensiere. Web resources smarthistory: Ingres smarthistory: Ingres, Grand Odalisque Betzer, Sarah. Jean Auguste Dominique Ingres’ The Grande Odalisque (1814) invites us into a world of sensual stillness. 9 × 162. Ingres painted two versions of this painting. Ingres used rich colors and detailed textures to create an immersive and fascinating atmosphere in Grand Odalisque (detail), which stands out for its sophistication and elegance. Represents it in a dreamlike way that is hard to believe. Walters Art Museum, Baltimore from publication: The Jew and the Sep 2, 2022 · Michael Newberry discusses the outline technique begun by Ingres' and how it contrasts with the anatomical technique of Renaissance artists. 162 × 91 cm. Odalisque in Grisaille by Jean-Auguste-Dominique Ingres Odalisque in Grisaille, created in 1834 by Jean-Auguste-Dominique Ingres, is an oil on canvas painting that exemplifies the Neoclassical style through its monochromatic palette and precise draftsmanship. In this depiction, the term The Great Odalisque, painted in 1814, is an oil on canvas by Jean Auguste Dominique Ingres, a major figure of French neoclassicism. However, the lithograph also represents experimentation with an unfamiliar medium, but the artist's assured draftsmanship makes the print successful. He studied with local painters in Toulouse before entering the Paris studio of David (1748-1825) in 1797. It is a notable example of Neoclassicism and Orientalism, measuring 34. com. Summary of Jean-Auguste-Dominique Ingres With a daring blend of traditional technique and experimental sensuality, Jean-Auguste-Dominique Ingres reimagined Classical and Renaissance sources for 19 th century tastes. Limited edition 350 copies! Miniature sculpted by Kristina Katunina based on the work of the painter Jean-Auguste-Dominique Ingres made in 1814. Oil on canvas. This painting depicts an odalisque, a female attendant in a harem, reclining on a couch. Image source Wikimedia Commons It can take a few moments for your eyes to fully acclimatise to the captivating world that opens up in this exceptional painting. 14, 1867, Paris) was a French painter. Patronage and Reception Commissioned by Caroline Murat, Napoleon's sister, Queen of Naples Exhibited at the Salon of 1819; the critics did not understand Ingress’s style; he was criticized for his disregard for anatomical reality, a trait that set him apart from his teacher, Jacques-Louis David Context Turkish 6-1 Jean-Auguste-Dominique Ingres, Studies for ‘The Grand Odalisque’ , 1814. Grande Odalisque Date created: 1814 Dimensions: 88. Habile Dec 9, 2024 · The Great Odalisque by Jean-Auguste-Dominique Ingres Jean-Auguste-Dominique Ingres’ The Great Odalisque, painted in 1814, is a masterpiece of the Neoclassical style. The painting depicts an odalisque, a concubine in a harem, lying on a divan. Ingres became the principal proponent of French Neoclassical painting after the death of his mentor, Jacques-Louis David. This oil on canvas painting is considered a masterpiece from the Neoclassicism movement and depicts a nude female figure. 3) These paintings illustrate contrasting 19th century Jul 29, 2021 · Voici la Grande Odalisque nue, allongée sur une méridienne d’un bleu mille-et-une-nuits. 56 centimeters (35 × 64 inches) Location: Louvre Museum, Paris, France Grande Odalisque is one of the most famous paintings by Jean-Auguste-Dominique Ingres and also one of the most controversial ones. The artwork depicts an exoticized reclining nude woman, reflecting the Romantic fascination with Orientalism, and is housed in the Louvre Museum in Paris. See available works on paper, paintings, and prints and The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. He was the first of seven children to Jean-Marie-Joseph Ingres (1755–1814), who was a successful jack-of-all-trades in the arts —noted as a painter of miniatures, sculptor, decorative stonemason and amateur musician Jean-Auguste-Dominique Ingres, La Grande Odalisque, 1814, Oil on canvas, 36" x 63" (91 x 162 cm), (Musée du Louvre, Paris). Aug 25, 2025 · Jean-Auguste-Dominique Ingres was a painter and icon of cultural conservatism in 19th-century France. However, the lithographs also represent experimentation with an unfamiliar medium, but both artists' assured draftsmanship make the prints successful. - 2X559BD from Alamy's library of millions of high resolution stock photos Ingres and His Critics This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominique Ingres, from the time of his renunciation of the Salon in 1834 until his large retrospective at the 1855 Universal Exposition. Exhibited in the 1819 Salon, this painting elicited outrage from critics, who ridiculed its radically attenuated modeling as well as Ingres’s habitual anatomical distortions of the female nude. The Grand Odalisque 1814 Oil on canvas, 91 x 162 cm Musée du Louvre, Paris The effects in Ingres' paintings largely depend on drawing and linearity, but he also used colour to supremely calculated effect. A. Ingres’ meticulous attention to anatomical detail, coupled with his ability to convey Title: Odalisque with a Slave Creator Lifespan: 1780 - 1867 Creator Nationality: French Creator Death Place: Paris Creator Birth Place: Montauban Date: 1839 - 1840 Physical Dimensions: w100. This painting depicts an odalisque, a female slave or concubine in a harem, characterized by Ingres' distinctive style that blends Neoclassical precision with Romantic sensuality. Odalisque by Jean-Auguste-Dominique Ingres The painting "Odalisque" by Jean-Auguste-Dominique Ingres, created in 1834, is an oil on canvas that exemplifies the Neoclassical style with its precise lines and idealized form. Roques La grande odalisque (De grote odalisk) is een schilderij van de neoclassicistische Franse kunstschilder Jean Auguste Dominique Ingres uit 1814, 91 x 162 centimeter, olieverf op doek. The painting was central to Ingres’s conception of ideal beauty, and its influence was bolstered by his longevity: Ingres continued to paint nudes like this one as late as the 1860s, by which time he had trained hundreds of followers. It was met with hostility by the critics, who ridiculed its radically attenuated modeling as well as Ingres's habitual anatomical distortions of the female nude. This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). 100% satisfaction guaranteed. In 1791, he entered the Royal Academy of Arts in Toulouse, where his teachers were J. Se trata de un cuadro al óleo de forma apaisada, que mide 91 centímetros de alto y 162 de ancho. A lithograph of this work in the Fitzwilliam [P. Jean-Auguste-Dominique Ingres was an artist of immense importance during the first half of the nineteenth century. Inspired by her journal, Essaydi swathed the woman’s body with Arabic text using henna—associated with special celebratory events such as puberty, marriage Aug 11, 2025 · Jean-Auguste-Dominique Ingres’ Self-portrait at age 24 (1804) Renowned for his impeccable draftsmanship, masterful use of line, and classical compositions, Ingres stands as a titan of the neoclassical and academic art movements. GNAW . Winthrop Artist: Jean-Auguste-Dominique Ingres Type: Paintings External Link: Marià Fortuny 's The Odalisque An odalisque (Ottoman Turkish: اوطه‌لق, Turkish: odalık) was an enslaved chambermaid or a female house slave attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman sultan. The painting expands on a number of motifs that La Grande Odalisque (1814) La Grande Odalisque (1814) by J. Jean-Auguste-Dominique Ingres (1780–1867)Artworks by Jean-Auguste-Dominique Ingres A Sleeping Odalisque Victoria and Albert Museum Henry IV, the Dauphin and the Spanish Ambassador Victoria and Albert Museum 'La Belle Ferronnière' The Barber Institute of Fine Arts Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome The Fitzwilliam Museum Study for the Figure of Phidias in 'The Apotheosis Enter and find everything you need to know about the painting Odalisque with Slave (Jean Auguste Dominique Ingres). Une physicalité blanche et tonique, dans l’élégance d’un visage tristement jeune et beau, où le corps est exposé, exalté dans l’attrait d’un This nude is a preparatory study for Ingres's painting La Grande Odalisque, commissioned by Queen Caroline Murat of Naples for her private apartments, now in the Louvre. Jean-Auguste-Dominique Ingres, La Grande Odalisque, 1814, oil on canvas, 36" × 63" (91 × 162 cm), (Musée du Louvre, Paris). Een naakte odalisk wordt ruggelings geportretteerd, in een stijl die romantische, vooral oriëntalistische invloeden verraadt. Jun 25, 2025 · However, in Ingres’s painting this subject is imagined with an orientalist lens as an “odalisque,” a French term derived from the Turkish word odaliq or female domestic servant, for whom the Western European imagination transformed specifically into an enslaved concubine of a harem. Jun 19, 2024 · The Source, a masterpiece by Jean-Auguste-Dominique Ingres, epitomizes the Neoclassical style that flourished in the early 19th century. It is a classic piece of Orientalism in French painting. 4 x 26. When he produced this painting in 1814, commissioned by Caroline Murat, sister of Napoleon I, the French painter was inspired by such odalisques, the Turkish term for a chambermaid serving the sultan's harem. La grande odalisque [1] is a painting by Jean Auguste Dominique Ingres painted in 1814 and sent to the Paris Salon of 1819. Olympia & La Grande Odalisque: A Study on the Difference between the Nude Paintings of Jean Ingres and This is an important preparatory study for La Grande Odalisque, commissioned by the Queen of Naples, to hang in the royal palace as a pendant to La Dormeuse. Grande Odalisque, France, 1814. In many ways Jean-Auguste-Dominique Ingres embodied the classical, academic style of painting that the impressionists sought to break away from. docx from ART 305 at California State University, Northridge. The grande odalisque is a famous painting by Jean-Auguste-Dominique Ingres, completed in 1814, that depicts a reclining nude woman with elongated proportions and exotic elements. This massive body of writing demonstrates how the artist negotiated the contradictory forces dominating the rapidly evolving art world of mid-nineteenth Find the perfect dominique ingres grande odalisque stock photo, image, vector, illustration or 360 image. 1) – one of the signal masterpieces of 19th-century art and among the most immediately recognizable and celebrated images in the world – was commissioned from the 33-year-old Ingres in 1813 by Napoleon’s sister, Caroline Murat (fig. He received his first lessons in art and music from his father, Joseph Ingres (1755-1814), miniature-artist and sculptor. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism. The Grande Odalisque is also shown from behind. 29, 1780, Montauban, France — died Jan. Commissioned by Caroline Murat, Queen of Naples and sister of Napoleon Bonaparte, the work was originally intended as a counterpart to another nude, La Dormeuse de Naples, now lost. Oil on canvas, 35" x 64". Created between 1820 and 1856, this exquisite painting depicts a nude young woman gracefully holding a pitcher of water, symbolizing purity and the eternal source of life. This is precisely what he did in this Odalisque with Slave (French: L'Odalisque à l'esclave) is an 1839 painting by Jean-Auguste-Dominique Ingres commissioned by Charles Marcotte. Nov 30, 2024 · Media in category "La Grande Odalisque by Jean-Auguste-Dominique Ingres, Louvre" The following 23 files are in this category, out of 23 total. Medium: Lithograph Dimensions: 6 7/8 x 9 1/8 in. , What do the furnishings, accessories, and clothing as well as the figure's pose, gesture, and direction of her gaze tell us about her social status both in the world and in the world of the painting? and more. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. With dimensions of 91 x 162 cm, it represents the nude painting genre and currently resides in the Louvre in Paris, France. Commissioned as early as 1808 by Caroline Murat, Queen With this painting, Ingres defined an iconography, point of view and erotic atmosphere, which he was to re-create in subsequent works. What is the significance of the display in the back? What kind of art is this? Performance? What is a fetish? What sculpting Odalisque, Jean-Auguste-Dominique Ingres (France, Montauban, 1780-1867), circa 1830, Paintings, Oil on canvas. An Odalisque was a concubine that would be found in the sultan's harem. Huile sur toile. Jean-Auguste-Dominique Ingres Oil on canvas. 2 cm) Type: Painting External Link: Jean-Auguste-Dominique Ingres was an artist of immense importance during the first half of the nineteenth century. Son œuvre maîtresse est La Grande Odalisque (1814), inscrite tout autant dans l’histoire de l’ orientalisme que dans la tradition des grands maîtres de la peinture occidentale. The legend, Jean-Auguste-Dominique Ingres, whose style varied his entire 75 year-long art career and kept his critics on their toes, as he never wanted to be put in a box and labeled as x, y or z Nov 1, 2024 · Jean-Auguste-Dominique Ingres's painting Grande Odalisque is known for its unconventional portrayal of the female figure, depicting the subject with anatomical distortions that serve to enhance her elegance and sensuality. Grande Odalisque attracted wide criticism when it was first shown. He was soon consider as the champion of the French classical tradition of history painting, traditionally opposed to the art of Delacroix in the early 19th century. 60. Beth Harris and Dr. Ingres. Ingres was awarded the prix de Rome in 1801 and alternated Jean-Auguste-Dominique Ingres A French painter often associated with Neoclassicism and seamless surfaces, Ingres’ academic tendencies also held Romantic and Orientalist elements. Este cuadro se expuso en el Salón de París de 1819. The artwork, depicting a reclining female figure, is notable for its use of grisaille technique, which mimics the appearance of Jun 12, 2021 · Jean-Auguste-Dominique Ingres, La Grande Odalisque, 1814, oil on canvas, 91 x 162 cm (Louvre)speakers: Dr. He is known for such paintings as The Valpinçon Bather (1808), Grande Odalisque (1814) and The Turkish Bath (1862). This study relates to Ingres ’s celebrated masterpiece 'La Grande Odalisque' (Musée du Louvre, Paris) which was commissioned by Caroline Murat, Queen of Naples, and depicts a reclining nude in an exotic harem setting. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift Find the perfect la grande odalisque stock photo, image, vector, illustration or 360 image. Medium: Black chalk and graphite, black and brown wash, with white and gray opaque watercolor. Learn more about this artwork. 100% Guarantee & FREE Global Shipping. Paris, Musée du Louvre. Odalisque Jean Auguste Dominique Ingres 1825 National Gallery of Art, Washington DC Washington, DC, United States Nov 27, 2011 · Jean-Auguste-Dominique Ingres, Odalisque and Slave, 1839, graphite, black and white chalk, gray and brown wash. Large odalisque is one of artworks by Jean Auguste Dominique Ingres. Apr 11, 2025 · Ingres, the most important representative of 19th-century official French art and a protégé of Napoleon I, had no problem with distorting bodies to preserve what he considered the beauty of the line. the Grande Odalisque Even though her back is turned, the languid and slightly mocking eyes of the Grande Odalisque by Jean-Auguste-Dominique Ingres gaze directly at the viewer. Mar 29, 2024 · Jean-Auguste-Dominique Ingres’ Grande Odalisque is a sensual and exotic portrayal of a reclining female figure. Dec 1, 2024 · The oil painting La Grande Odalisque (1814) by Jean Auguste Dominique Ingres is one of the most famous paintings in this catalog of Orientalist art produced in Europe and remains on display at the Louvre Museum in Paris today. Ingres and La Grande Odalisque It would be easy to characterize Ingres as a consistent defender of the Neo-Classical style from his time in David’s studio into the middle of the 19th century. Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean Auguste Dominique Ingres depicting an odalisque, or concubine. Characterized as a portrait, it reflects the fascination of the 19th-century European art with the exotic and luxurious aspects of the East. 1824–34, Jean Auguste Dominique Ingres (French, 1780–1867) and Workshop, Oil on canvas, (Metropolitan Museum of Art, New York) The Grande Odalisque of 1814 (Musée du Louvre, Paris), also by Ingres, is an example of a finished work using grisaille underpainting to control tone and warmth of hue. 1 cm Credit Line: Harvard Art Museums/Fogg Museum, Bequest of Grenville L. The painting Odalisque with a Slave by Jean-Auguste-Dominique Ingres, which was painted in 1839, is an allegorical representation of the Western classical tradition of the female nude in the modern context of the Middle Eastern “other. Jean Auguste Dominique Ingres's painting "La Grande Odalisque," completed in 1814, is a renowned example of 19th-century French Neoclassicism. (17. jpg I. 2 cm) Classification: Prints Credit Line: Rogers Fund, 1922 Object Number: 22. Advertising the exhibition ‘Ingres’ at the Prado, the image is a boon for the museum’s marketing department: arresting and alluring, and one of the great icons of French art, it has the power to entice Ingres and Théodore Chassériau executed these lithographs to reproduce and publicize important pictures they had previously painted. Ingres' contemporaries Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean Auguste Dominique Ingres depicting an odalisque, or concubine. Writing for the journal Art History, Andrew Carrington Shelton quotes an article from 1832 by an anonymous critic as the first time the dispute was Apr 12, 2025 · Français : Jean Auguste Dominique Ingres, habituellement désigné sous le nom de Dominique Ingres (29 août 1780 - 14 janvier 1867) est un peintre français. Jean-Auguste-Dominique Ingres Jean-Auguste-Dominique Ingres's La Grand Odalisque (1814) was an innovative work in the establishment of Orientalism as a movement and also in its subsequent domination of Academic painting. Ingres was known for his meticulous attention to detail and his ability to capture the beauty of the human form. Un jeu d’ombre et de lumière vient perturber son trois-quarts et souligne plutôt un La Grande Odalisque was painted in Rome, where Ingres had arrived in 1806 to complete a fellowship at the Académie de France. Although he considered himself a painter of history in the tradition In Jean-Auguste-Dominique Ingres: Maturity …the artist’s most celebrated canvases, La Grande Odalisque (1814). 3 x h72. around the specific odalisque of Jean Auguste Dominique Ingres’ Grande Odalisque [see Figure One] and seeks to explore how contemporary feminist psychoanalysis has been used to break down the traditionally male-defined spectatorship of Ingres’ Grande Odalisque, instead creating an avenue for autonomous female spectatorship within this work Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. This nude was painted in 1814 for Napoleon's sister, Queen The artwork entitled “Odalisque with Slave” was created by the esteemed artist Jean Auguste Dominique Ingres in the year 1858. Ingres and La Grande Odalisque It would be easy to characterize Ingres as a consistent defender of the Neo-Classical style from his time in David's studio into the middle of the 19th century. Thaw Collection, the Morgan Library & Museum. "La Grande Odalisque" is a miniature sculpted to the 80mm scale. Depicts the woman with complete accuracy. Degas admired the precision of Ingres’s linear style which here skilfully INGRES, JEAN-AUGUSTE-DOMINIQUEINGRES, JEAN-AUGUSTE-DOMINIQUE (1780–1867), French painter. 107. Executed in oil on canvas, it depicts a nude odalisque, a musician, and a eunuch in a harem interior. Odalisque, Enslaved Woman, and Eunuch by Jean-Auguste-Dominique Ingres Created in 1814, "Odalisque, Enslaved Woman, and Eunuch" by Jean-Auguste-Dominique Ingres is an oil on canvas painting that exemplifies the Neoclassical style with its precise lines and idealized forms. La gran odalisca es un cuadro de Dominique Ingres. Qui pour comprendre cette bouche en cœur ? Son regard interpelle, mais le visage coiffé d’un turban brodé d’or reste une énigme. He executed a painting based on his vision of the harem, entitled Odalisque with Slave (1839-40; now in the Harvard Art Museums)--which, due to illness, he enlisted students Study with Quizlet and memorize flashcards containing terms like Jean-Auguste-Dominique Ingres. See full list on artincontext. Execu Buy La Grande Odalisque 1814 oil painting reproductions on canvas. Ingres's work is celebrated for its exquisite detail, use of color, and the artist's unique approach to the human form. Although Jean-Auguste-Dominique Ingres regarded himself as a historical painter, it was actually his The Grande Odalisque (Louvre; fig. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Ingres, the most famous exponent of official French painting in the 19th century, had no issue distorting human bodies in order to preserve the appealing qualities of the line in his art. Artists' Objects » from 27 March to 10 June 2024 at the Musée National Eugène-Delacroix. This intentional decision and along with the other aspects of the painting convey an idealized, almost over-exaggerated sense of luxury. We would like to show you a description here but the site won’t allow us. May 19, 2020 · The painting Odalisque with a Slave by Ingres painted in 1839, is rendered with the utmost attention paid to details, nothing is spared from Ingres’s intensive bestowal of adornment. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are The Grande Odalisque, 1814 Jean Auguste Dominique Ingres (1780-1867) Location: Louvre Museum Paris France Original Size: 91 x 162 cm Own a museum-quality reproduction of The Grande Odalisque by Ingres (1814), exclusively hand-painted in oils on linen canvas by European artists with academic training. Moue incroyable, indéfinie. L’aguicheuse modèle daigne se retourner. Feb 16, 2025 · Upon visiting the Louvre in the spring of 2023, I stumbled upon a magnificent painting, ‘Grande Odalisque’, by Jean Auguste Dominique Ingres. How is 3 minutos de arte supported? Grande Odalisque (1814). Artistic style, technique, and unknown details and anecdotes. Jean-Auguste-Dominique Ingres was a French Neoclassical painter. 1 × 100. Jean Auguste Dominique Ingres (1780 – 1867) was a French painter. The link to this video is provided at the bottom of this page. Jun 17, 2012 · The rivalry between Jean-Auguste-Dominique Ingres and Eugene Delacroix, the two titans of 19 th century French painting, is often seen as embodying the conflict between the era’s tradition-based neoclassicism and non-conformist Romanticism. His works continue to captivate audiences worldwide, offering glimpses into the profound depths of his creative mind. Ingres's early Romantic tendencies can be seen most famously in his painting La Grande Odalisque . There are three subjects represented in the work and each is stylized 1) Jean-Auguste-Dominique Ingres's 1814 painting "La Grande Odalisque" depicts an odalisque with exaggerated curves in an uncomfortable position, suggesting idealized beauty. The artist remained in Italy until 1824 because his art was unpopular in Paris. The painting depicts an odalisque, or a concubine in a harem, reclining sensuously on a divan. La Grande Odalisque. 91 cm x 162 cm Musée du Louvre. Created by Beth Harris and Steven Zucker. The oil on canvas measuring 105 by 76 cm is currently housed in the Walters Art Museum located in Baltimore, MD, USA. "Drawn to Greatness" exhibition label: While Ingres did not travel to North Africa to make firsthand observations of harems, he was nonetheless intrigued by the idea of a domestic space reserved for women. His devotion to academic painting—characterized by meticulous linework, idealized forms, and historical subjects The Envoys of Agamemnon (1801) Jean-Auguste-Dominique Ingres, the most celebrated exponent of the Neoclassical style of art, was born in Montauban, Tarn-et-Garonne, France. jpg Self-Portrait at Seventy-Eight, 1858, 62 x 51 cm. Aug 19, 2002 · Ingres, Jean-Auguste-Dominique Ingres, Jean-Auguste-Dominique (1780-1867). 2 x 109. jpg File:Jean auguste dominique ingres e bottega, odalisca in grisaille, 1824-34 ca. art/o/299806 Location Location La Grande Odalisque is an 1814 painting by French Neoclassical artist Jean-Auguste-Dominique Ingres. Jean-Auguste-Dominique Ingres (1780-1867) Odalisque, called La grande odalisque (detail), 1814. jpg Jean-Auguste-Dominique Ingres [French Neoclassical Painter, 1780-1867] Guide to pictures of works by Jean-Auguste-Dominique Ingres in art museum sites and image archives worldwide. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are The Guardian of Academic Tradition Jean-Auguste-Dominique Ingres (29 August 1780 – 14 January 1867) stands as one of the most important figures in Neoclassicism, a movement that championed rationality, order, and a return to the classical ideals of Ancient Greece and Rome. The drawing was owned by the Impressionist painter Edgar Degas and later by Samuel Courtauld. 2), as a pendant to the ‘ Dormeuse de Naples ’ (1808), which her husband, Joachim Murat, King of Naples, had purchased This question asked students to analyze Jean-Auguste-Dominique Ingres’s La Grande Odalisque in terms of both traditions and changes in the representation of the female nude in European art. Distorts her body to make it look more elegant. At first glance, the painting depicts an exotic reclining nude in an opulent, harem-like interior—but under the surface lies a sophisticated exercise in Neoclassical form, Romantic sensuality Oct 11, 2021 · Jean-Auguste-Dominique Ingres Fundamental Paintings to Understand the History of Painting We could make this publication thanks to small donations. The artwork depicts a reclining female figure, a common subject in Ingres' oeuvre, and is housed in the Louvre Museum in Paris. Había sido encargado por Carolina, hermana de Napoleón Find the perfect jean dominique ingres, odalisque stock photo, image, vector, illustration or 360 image. View Jean-Auguste-Dominique Ingres’s 642 artworks on artnet. Each masterpiece is created with meticulous craftsmanship, capturing the exceptional quality Download this stock image: Odalisque by Jean-Auguste-Dominique Ingres, painted in 1814, housed at the Louvre Museum, Paris, France. La Grande Odalisque Cite this page Cite this page as: Kayla McCarthy, "La Grande Odalisque," in Smarthistory, November 20, 2024, accessed June 11, 2025, https://smarthistory. Silke Förschler traces changes in the interpretation of Grande Odalisque during the nineteenth century: “In the contemporary reception of Grande Odalisque, its cultural context is described as the Orient, where the female nude is interpreted as Venus, appearing in an unfamiliar interior. Boston: Pearson, 2014. • Why is it significant that the woman is alone? Who is the intended viewer?, Janine Antoin. Like a mesmerizing melody that captivates your senses, these masterpieces will leave you in awe. And, indeed, Ingres’s odalisque is a creature totally unknown in nature. About Odalisque with Slave “Odalisque with Slave,” completed in 1842, is a work by the renowned artist Jean Auguste Dominique Ingres, quintessentially representative of the Neoclassical and Orientalist art movements. 5 cm. Jean-Auguste-Dominique Ingres. " In this study, however, the artist concentrated on the weight and mass of the model's Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and Jean-Auguste-Dominique Ingres (29 August 1780 – 14 January 1867) was a French Neoclassical painter. Artwork analysis, large resolution images, user comments, interesting facts and much more. The Louvre, Paris, France. Apr 29, 2014 · Executed in 1814, Jean-Auguste-Dominique Ingres’s Grande Odalisque at the Louvre has long been recognized as a landmark not only in the oeuvre of the artist but also in the development of the reclining nude as a topic of European art, a theme that stretches from antique models to Titian and Goya and later to Manet, Matisse, and Picasso. Title: Odalisque with Slave Creator: Jean-Auguste-Dominique Ingres Date Created: 1839 Physical Dimensions: 19 1/4 x 24 1/4 inches (489 x 616 mm) Credit Line: Thaw Collection. Oil on Canvas. Louvre, Paris. org In his painting La Grande Odalisque (below), Ingres transports the viewer to the Orient, a far-away land for a Parisian audience in the second decade of the nineteenth century (in this context, “Orient” means Near East more so than the Far East). He was a key member of the old guard, painting religious and mythological subjects, while focusing on form and beauty. The Riviere After an early academic training in the Toulouse academy he went to Paris in 1796 and was a fellow student of Gros in David 's studio. The main figure is portrayed in an idealized and elegant manner, with a delicate nude and an enigmatic gaze that captures the viewer’s attention. Museum quality hand-painted Jean Auguste Dominique Ingres replica canvas. Paris, musée du Louvre. Whilst our modern insights might be troubled by the flagrant display of the nude woman before us — not by the nudity Jean-Auguste-Dominique Ingres was an artist of immense importance during the first half of the nineteenth century. The painting is in the Fogg Art Museum in Cambridge, Massachusetts. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy. Jul 11, 2017 · View Olympia & La Grande Odalisque. This magnet was published for the exhibition « Ingres and Delacroix. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Paris, France Ingres was Jacques-Louis David’s student and both were the most important painters of Jul 19, 2022 · La Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres. Regarded as one of the greatest modern paintings of the 19th century. 26-1942], suggests the contrasting outlooks of the two artists. p. Echoing Study with Quizlet and memorize flashcards containing terms like La Grande Odalisque, Describe La Grande Odalisque. Title: Odalisque with a Slave Creator lifespan: 1780 - 1867 Creator's nationality: French Creator's place of death: Paris Creator's place of birth: Montauban Date: 1839 - 1840 Physical Dimensions: w100. Title: Odalisque in Grisaille Creator: Jean Auguste Dominique Ingres Date created: ca. 4 days ago · How to say Jean Auguste Dominique Ingres in English? Pronunciation of Jean Auguste Dominique Ingres with 23 audio pronunciations, 2 synonyms, 1 meaning, 6 translations and more for Jean Auguste Dominique Ingres. Mar 18, 2025 · File:Jean Auguste Dominique Ingres 005. Oct 14, 2023 · Jean Auguste Dominique Ingres put the finishing touches to Grande Odalisque in 1814 and it was later purchased by the Louvre, where it continues to remain today. His father, Jean-Marie-Joseph Ingres was a decorative artist of only minor influence who instructed his young son in the basics of drawing by allowing him to copy the family’s extensive print collection that included reproductions from artists such as Boucher, Correggio, Raphael Learn everything you need to know about Jean-Auguste-Dominique Ingres's "La Grande Odalisque" painting Discover the context of the work, along with an analysis of its subject matter and so on! Jean-Auguste-Dominique Ingres (/ ˈæŋɡrə / ANG-grə; French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Jean-Auguste-Dominique Ingres, La Grande Odalisque, 1814, Oil on canvas, 36" x 63" (91 x 162 cm), (Musée du Louvre, Paris). University Park, PA: Pennsylvania State University Press, 2012 Grigsby, Darcy Grimaldo. Het werk is thans te zien in het Louvre te Parijs. Ingres sometimes made pen sketches to nail down first ideas, but his preferred medium for studies as well as for finished drawings was graphite. This artwork embodies the neoclassical style through its smooth lines and idealized beauty, while also reflecting romantic sensibilities with its sensual subject matter and dreamy atmosphere, merging the classical Dr. When the painting was exhibited in Paris in 1819, critics attacked the figure for having "neither bones, nor muscles, nor blood, nor life. About the Artist Jean Auguste Ingres (born Aug. Jean Auguste Dominique Ingres (1780-1867) was born in Montauban. The artwork depicts an exoticized scene of a harem, reflecting the 19th-century European fascination with Orientalism. Dec 26, 2015 · Jean-Auguste-Dominique Ingres - Odalisque with a Slave - 1842 Walters Art Museum, Baltimore This is considered Orientalist painting, depicting "the Middle East", and was one of the many specialisms of 19th-century Academic art. Commissioned in 1814 by Queen Caroline Murat of Naples, the sister of Napoleon Feb 15, 2024 · File:La Grande Odalisque - Jean-Auguste-Dominique Ingres - Musée du Louvre Peintures RF 1158 - avec cadre. The cold turquoise of the silk curtain with its decoration of red flowers intensified the warm flesh tone of the Grande Odalisque. He created it while in Italy for Caroline Murat, the sister of Napoleon and Queen of Naples. In the twentieth century, Ingres's linear forms, with their Feb 1, 2023 · An odalisque, or concubine, is shown in Jean-Auguste-Dominique Ingres' 1814 oil painting titled La Grande Odalisque. Large Odalisque, 1814, oil on canvas 1) Stokstad, Marilyn and Michael W. , Ingres, sa vie, ses travaux, sa doctrine, d'après les notes manuscrites et les lettres du Maître, Paris, 1870, n° 75 Introduction Jean Auguste Dominique Ingres’s “Odalisque” (often referred to as La Grande Odalisque, 1814) stands as one of the most celebrated and controversial images of 19th-century French art. Graphite on three attached sheets of paper, 25. . Steven Zucker provide a description, historical perspective, and analysis of Ingres’s La Grande Odalisque. 1814 ce. 952 Jean-Auguste-Dominique Ingres (1780-1867), perhaps David’s most famous student, served as director of the French Academy in Rome between 1835 and 1841. It is renowned for the Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean Auguste Dominique Ingres depicting an odalisque, or concubine. The odalisque’s elongated back and sensuous curves create a captivating and enigmatic Question: Jean-Auguste-Dominique Ingres's portrayal of the woman in Grande Odalisque does what to her body?Points out the flaws in the woman's moral character. Ingres’ paintings such as La Grande Odalisque (1814) displayed his desire to maintain the principles of the academic art traditions in defiance of the emerging Romantic movement. Aug 29, 2025 · A Sleeping Odalisque Home / Museum / Search ARC Museum / Jean Auguste Dominique Ingres Dec 9, 2019 · En bref Dernier des peintres néoclassiques français, Jean-Auguste-Dominique Ingres (1780 – 1867) est l’inventeur d’un canon de beauté féminine atypique, maniériste, qui l’a rendu célèbre. In Paris city. He could even be said to have laid the foundation for the emotive expressiveness of Romanticism (the new style of Gericault and the young Delacroix that Ingres would later hold the line against). Actualmente se conserva en el Museo del Louvre de París, en Francia. He studied with Jacques-Louis David in Paris before attending the École des Beaux-Arts (1799 – 1801), where he won a Prix de Rome scholarship. As a French Neoclassical painter, this work is The artwork “La Grand Odalisque” was created by Jean Auguste Dominique Ingres in 1814. jpg File:La Grande Odalisque - Jean-Auguste-Dominique Ingres - Musée du Louvre Peintures RF 1158 - avec cadre. Odalisque with Slave (French: L'Odalisque à l'esclave) is an 1839 painting by Jean-Auguste-Dominique Ingres commissioned by Charles Marcotte. Jean-Auguste-Dominique Ingres inherited the mantle of Jacques Louis David (1748–1825) and remained the apostle of neoclassicism for half a century, despite fundamental antagonisms with the Academy and inconsistencies in his work and tastes. 15 Jean-Auguste-Dominique Ingres was a seminal French painter who championed Neoclassicism during a period that saw the rise of Romantic painters like Eugène Delacroix. Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. The Discover works by Jean-Auguste-Dominique Ingres and learn about the artist Apr 4, 2025 · Explore Jean-Auguste-Dominique Ingres' journey from neoclassical master to modernist influence through his iconic paintings and revolutionary techniques. Through analysis of Ingres’ reflections on the importance of drawing over colour, this paper proposes a new hypothesis about the nature of the painting: that it could have been a studio exercise executed by the painter with his pupils in order to help them Feb 26, 2022 · In this article, we’ll take a closer look at some of the most interesting facts about Grande Odalisque by Jean-Auguste-Dominique Ingres, a Neoclassical painting with some remarkable stories to tell. La Grande Odalisque by Jean-Auguste-Dominique Ingres La Grande Odalisque, painted in 1814 by Jean-Auguste-Dominique Ingres, is an oil on canvas that exemplifies the Neoclassical style with its elongated proportions and cool color palette. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are Odalisque Jean Auguste Dominique Ingres 1825 National Gallery of Art, Washington DC Washington, DC, United States Jean Auguste Dominique Ingres (French pronunciation: [ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres himself painted a celerated Odalisque in 1814. It was one of the first paintings in which he experimented with an Oriental subject as we can see an odalisque or concubine, a Sep 5, 2022 · Jean-Auguste-Dominique Ingres was a French artist who was part of the Neoclassicism movement in the 1800s. Find art you love and shop high-quality art prints, photographs, framed artworks and posters at Art. [1] The painting depicts a group of nude women at a pool in a harem. Obra orientalista pintada en 1814 representa a una mujer desnuda. Discover Jean-Auguste-Dominque Ingres's study relating to the celebrated masterpiece La Grande Odalisque, at The Courtauld Gallery. Available for both RF and RM licensing. Vigan and G. Reclining with poised detachment, the elongated figure gazes back with mystery and calm. d. • Description • Analysis • Explanation of Other French Paintings Name: La Grande Odalisque (1814) Artist: Jean-Auguste-Dominique Ingres (1780-1867) Medium: Oil painting on canvas Genre: Orientalist painting Movement: Neoclassical painting Location Vêtue d’une beauté simple, « La Grande Odalisque » (1814) de Jean Dominique Ingres (1780 – 1867) s’entoure de tissus fins, dans la douceur d’un lit langoureusement rendu dans le désordre d’un événement qui nous est inconnu. [1] It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter. Grand Odalisque by Jean Auguste Dominique Ingres Grand Odalisque is a masterpiece by the French painter Jean Auguste Dominique Ingres, depicting a woman of oriental origin in an exotic and sensual setting. Steven Zucker Charles Landon, Salon de 1819 (Paris, 1819), 29. His great rival, the immaculately classical Jean-Auguste-Dominique Ingres, once dismissed him as 'an apostle of ugliness'. His father, Jean-Marie-Joseph Ingres was a decorative artist of only minor influence who instructed his young son in the basics of drawing by allowing him to copy the family’s extensive print collection that included reproductions from artists such as Boucher, Correggio, Raphael Ingres: Odalisque Giclee Print by Jean-Auguste-Dominique Ingres. A man profoundly Jean-Auguste-Dominique Ingres (1780–1867) Odalisque with Lute Player and Attendant 1839 Graphite, black and white chalk, gray and brown w 13 3/16 x 18 1/4 inches (335 x 462 mm) Thaw Collection Dec 4, 2021 · Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean Auguste Dominique Ingres depicting an odalisque, or concubine. Recumbent female figures complement each other in the two paintings, facing different directions, with the sleeping nude viewed from the front and the odalisque (a harem slave girl) from May 10, 2022 · Are you ready to dive into the enchanting world of Jean-Auguste-Dominique Ingres? Get ready to be transported into a realm of beauty, where his brushstrokes bring to life 10 of his most famous paintings. Ecole française, Paris, Musées nationaux, 1924, n° 422b - Delaborde, Henri, Ingres, sa vie, ses travaux, sa doctrine, d'après les notes manuscrites et les lettres du Maître. His father, Jean-Marie-Joseph Ingres was a decorative artist of only minor influence who instructed his young son in the basics of drawing by allowing him to copy the family’s extensive print collection that included reproductions from artists such as Boucher, Correggio, Raphael Mar 12, 2016 · Billboards and lamp posts throughout central Madrid are adorned with posters displaying the curvaceous flesh of La Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres (1780–1867). jab 4x mjj voum5u9 ewu bp0ol z2 ikd dre5t kh95